A catalogue essay on time, attention and climate change for Jo Law's Illustrated Almanac of the Illawarra and Beyond.
A text commissioned by Norwegian artist HC Gilje for his monograph Conversations with Spaces.
in Artificial Life 21 (3): 307–312 (Summer 2015)
in Digital Humanities Quarterly 9(1) (2015). This paper updates and expands my previous writing on generous interfaces
In Scan 10(2) (2013), "The In/Visibilities of Code"
This paper makes the case for the limitations of search, and proposes instead the concept of “generous interfaces” for digital collections
in Throughout, ed Ulrik Ekman, MIT Press 2012
with Alan Dorin, Jonathan McCabe, Jon McCormack and Gordon Monro; in Digital Creativity 23 (2012).
Practice-led research in data sculpture and tangible visualisation.
with Ben Ennis Butler and Sam Hinton, presented at ACUADS 2011
A multi-touch interactive for the National Archives, in collaboration with Lightwell.
A generative fabrication project in recycled laser-cut cardboard.
Presented at the Transdisciplinary Imaging Conference, Artspace, November 2010
A short essay on craft, making and digital fabrication for Craft Australia's eNews 54
with Sam Hinton; presented at EVA 2010
Representing long time-series of climate data in small, tangible forms.
in Archives and Manuscripts 37
A catalogue essay on the work of HC Gilje, commissioned for his 2009 solo exhibition Blink at the Hordaland Art Centre
Self-constraining growth forms robot-plotted onto paper islands.
A wearable dataform made from 365 days of Canberra weather
A research project on the visualisation of archival collections, supported by the National Archives of Australia.
Slit-scanning the streetscape, revealing patterns of change and stasis in human and environmental activity.
Generative experiments with self-limiting growth.
Visualising change in the environment, using long image time-series.
in Senses and Society 3(3) (2008)
in Fibreculture 11
Presented at Readme 100, Dortmund (2005) and published in Readme 100: temporary software art factory
An essay on data-bending, microsound and sonification commissioned by Sonic Acts X
Catalog essay for Brogan Bunt's Halfeti: Only Fish Shall Visit (2002)